Let’s say a click triggers open a dialog box and you’re trying to style that dialog box. This is particularly useful where you are styling something on a page in a particular state. If what you changed was just CSS, it injects the styles into the page without a page refresh. For HTML: HAML, Jade, Slim, or Eco.Īfter it’s preprocessed, it reloads the page in whatever browser(s) you have the browser extensions installed in. For JavaScript: CoffeeScript or IcedCoffeeScript. For CSS: LESS, SASS (w/ Compass), or Stylus. It can do a whole bunch of preprocessors. When any file in that folder changes, it triggers preprocessing. You tell LiveReload to watch a particular folder. LiveReload: the menu bar icon, the app window, and a browser with the browser extension installed. It is a menu bar app where clicking the icon in the menu bar opens a window of options. It now available on the App Store for $9.99. The app that got me started on all this preprocessor goodness was LiveReload ( screencast). I’m sure there are pretty good ones for other platforms. You gotta really try it to see how it might work with your day to day. If you get some time to try it out, do it. My advice is: don’t let people get on your case. And the projects I work on are in better, more maintainable shape because of it. I can tell you that after making the jump, I am actually more productive. If you’re perfectly happy doing what you are doing: godspeed. The real answer is that nothing needs to change if you don’t want it to. It’s hard to say anything at all about preprocessors, let alone something vaguely negative, without getting pounced on.įor a long time I thought: I write CSS everyday. Man, usually you even breathe about preprocessors and CSS and the LESS/SASS folks dogpile you at greyhound speed. Other turnoffsĪs childish as this may seem, another reason it took me so long to get on the preprocessor bandwagon was the crowd. Here’s the thing: I’m right there with you. That’s a very common thing to hear regarding SASS. I’m a designer! I don’t know how to use the command line nor should I need to. I use a couple fantastic apps that I’ll cover later. Now that I’m working primarily on projects that run on my local machine, using preprocessors is easy. If you are using something like Ruby or Python, well, chances are you know how to set up that stuff anyway so you’re fine. Of course there are variants of MAMP for all platforms. WordPress, Joomla, PHP, Vanilla, CodeIgnitor, CakePHP, and a million more) then using MAMP ( my screencast) is ideal. Work from a folder somewhere on your machine. If you work only on static sites, you can just start doing it. Namely, 1) It’s fast 2) You can edit stuff to your heart’s content without worry you’re screwing up a live site and 3) It allows you to effectively work on a team through version control (more on that later). Working local is full of obvious advantages. It makes it way too easy to work live instead of local 1. Yeah, Coda is awesome, but it’s bad habit forming. The biggest contributor to me getting on the bandwagon was giving up my going-commando live FTP editing ways. From apps and teams to workflows and syntax. From hold-ups, to trip-ups, to turn-offs. I’ve been using Sass for pretty much everything I do recently.
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5/2/2023 0 Comments Shotcut free downloadEquirectangular Mask, 360: Equirectangular to Rectilinear, 360: Equirectangular to Stereographic, 360: Hemispherical to Equirectangular, 360: Rectilinear to Equirectangular, 360: Stabilize, 360: Transform.Alpha Channel: Adjust, Alpha Channel: View, Audio Dance Visualization, Audio Level Visualization, Audio Light Visualization, Audio Spectrum Visualization, Audio Waveform Visualization, Blend Mode, Blur: Box, Blur: Exponential, Blur: Gaussian, Blur: Low Pass, Blur: Pad, Brightness, Choppy, Chroma Hold, Chroma Key: Advanced, Chroma Key: Simple, Contrast, Color Grading, Corner Pin, Crop: Source, Crop: Circle, Crop: Rectangle, Deband, Distort, Dither, Elastic Scale, Flip, Glitch, Glow, GPS Text, Gradient, Grid, Halftone, Hue/Lightness/Saturation, Invert Colors, Key Spill: Advanced, Key Spill: Simple, Lens Correction, Levels, 3D LUT, Mask: Apply, Mask: Chroma Key, Mask: From File, Mask: Simple Shape, Mirror, Mosaic, Nervous, No Sync, Noise: Fast, Noise: Keyframes, Old Film: Dust, Old Film: Grain, Old Film: Projector, Old Film: Scratches, Old Film: Technocolor, Opacity, Posterize, Reduce Noise: HQ3DN, Reduce Noise: Quantization, Reduce Noise: Smart Blur, Reduce Noise: Wavelet, Reflect, RGB Shift, Rotate and Scale, Saturation, Scan Lines, Sepia Tone, Sharpen, Size and Position, Sketch, Spot Remover, Stabilize, Text: Rich, Text: Simple, Threshold, Time Remap, Timer, Trails, Vertigo, Vignette, Unpremultiply Alpha, Wave, White Balance.None, Over, Add, Saturate, Multiply, Screen, Overlay, Darken, Dodge, Burn, Hard Light, Soft Light, Difference, Exclusion, HSL Hue, HSL Saturation, HSL Color, HSL Luminosity.bar, barn door, box, clock (radial), diagonal, iris, matrix, and custom gradient image.Fade in/out audio and fade video with easy-to-use fader controls on timeline.Eye dropper tool to pick neutral color for white balancing.3-way (shadows, mids, highlights) color wheels for color correction and grading.Record directly to timeline for voiceover, for example.Pitch compensation for video speed changes.Cross-fade audio and video dissolve transitions easily by overlapping shots on the same track of the timeline.Fade in and out audio and fade video from and to black with easy-to-use fader controls on timeline.Balance, Band Pass, Compressor, Copy Channel, Delay, Downmix, Equalizer: 3-Band, Equalizer: 15-Band, Equalizer: Parametric, Expander, Gain, High Pass, Invert, Limiter, Low Pass, Noise Gate, Normalize: One Pass, Normalize: Two Pass, Notch, Pan, Pitch, Reverb, Stereo Enhancer, Swap Channels.Audio scopes: loudness, peak meter, waveform, spectrum analyzer.Optional full range video input, processing, and export.Videos files with alpha channel - both reading and writing.Export single frame as image or video as image sequence.EDL (CMX3600 Edit Decision List) export.Color, text, noise, and counter generators.Network stream playback (HTTP, HLS, RTMP, RTSP, MMS, UDP).Multi-format timeline: mix and match resolutions and frame rates within a project.Frame-accurate seeking for many formats.No import required - native timeline editing. 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Pink flees with the diamonds, while White is devastated by the news. Joe and Eddie die and White crawls to Orange, who confesses him to be a cop. Thereupon, Eddie pulls his gun at White and all men start shooting. White pulls the gun at Joe, because he is convinced of Orange’s integrity. Joe arrives and wants to shoot Orange, whom he suspects to be the informant. Eddie shoots the officer and accuses Orange that the story can’t be true as Blonde is an old friend. As Eddie, White and Pink return, Orange claims that Blonde was going to kill them and elope with the diamonds. Before Blonde can ignite the gasoline-soaked officer, Orange shoots him down, revealing he is an undercover cop. Alone with the unconscious Orange, Blonde tortures the officer for his own amusement and cuts off his ear with a razor. Eddie arrives and asks White and Pink to come with him to get the diamonds. Together, they pummel the young officer to get information on the potential betrayer. Said Blonde arrives at the warehouse with an enchained police officer in his trunk. White is angry at his old friend Joe for employing the ‘psychopathic’ Mr Blonde, who is responsible for the murdered civilians at the store. White and Pink discuss who could be ‘the rat’ in the team, while Orange lost his consciousness because of his blood loss. Apparently, when the alarm went off, the police was at the store much earlier than to be expected, thus, they must have been informed about the heist. Mr Orange, severely wounded by a shot in the belly, and Mr White escape to the said warehouse, where they meet with Mr Pink who escaped as well, with the diamonds transported to a secure location. Instead, the narrative jumps back and forth in time, introducing the character’s background and version of the happenings at the jewellery store, since the diamond heist ends in a massacre with shot civilians, policemen and two of the criminals (Mr Blue and Mr Brown) dead. the robbery itself is not shown in the whole film. The story is not narrated stringently, e.g. They chit-chat about Madonna’s hit ‘Like a Virgin’, before their planned armed robbery of a jewellery store. It starts with a group of six well suited men (all using aliases) and their two bosses (Joe and his son Eddie), having breakfast at an American Diner. The story of Reservoir Dogs is mainly set in a warehouse in an American city. The quintessence of Tarantino’s idea of film making is already identifiable in his rough debut: cool characters and violence combined with deadpan humour plus a fantastic soundtrack. Tarantino’s debut became cult over the years, considered to have notably inspired further independent cinema. In the case of ‘Stuck in the middle with you’ and the ‘infamous’ torture scene in Tarantino’s debut film Reservoir Dogs (1992), this statement does fully apply, as the song originally is about an annoying record biz dinner that Eagan and Rafferty had to attend. Moreover, we must agree with Quentin Tarantino, who said ‘that certain pop songs have been used so successfully in certain movies that in a sense the movie blots out all other associations and ‘owns’ the song. Without knowing the linkage of the song to one of the most iconic scenes in later film history, these comments make no sense at all. Another user asks if anyone could listen to the song, ‘without thinking of torture anymore’ (YouTube, 2016). For instance, user ‘nosferotica’ writes: ‘Last time I listened to this song I cut someone’s ear off.’ (YouTube, 2016). Comparing the top comments to the video shown, some incoherence becomes visible. The original music video shows the band with Joe Eagan alternately performing in a big, empty building and him being at a banquet table, surrounded by odd guises, unsuccessfully trying to get some food from the table. The number of clicks is considerably impressive: the most popular video on the website counts more than 44 million views since July 2010. Looking for the song ‘Stuck in the middle with you’ (written by Gerry Rafferty and Joe Eagan performed by their group ‘Stealers Wheel’) on YouTube (2016), displays the immense popularity of this song more than 40 years after it was published on the 1972 Stealers Wheel debut album. Analysis of the song ‘Stuck in the middle with you’ (Stealers Wheel) in Tarantino’s debut film ‘Reservoir Dogs’ 5/2/2023 0 Comments Kerio connect message filterOther content rules), but inappropriate attachments are stripped. IfĮnabled, messages are still delivered (assuming the message gets by exe files, but other businesses usually wouldn't. If you are a programming house, you may need By itself, that isn't enough to be classified as spam, but it gives the message a good head start if it has other spammy characteristics.Īttachment filtering is also disabled by default because everyĬompany has different needs. I add two spam points if the sender matches. I put in networks like 60.0.0.0 (mask 255.0.0.0) which matches an Asian block. For example, I have an IP address group called "Out of Country". If you have no reason to expect any legitimate mail from IP addresses that originate in those countries, why not block those outright or add spam score? You can do that with Custom Blacklists. Some countries generate more spam than others. They have three levels of lists - I use Level 2 and add 2 points. Note that you must "Ask directly" for this one.įinally, consider UCEProtect. Once you have the account, add them like this: They'll ask for your DNS servers, but what they mean is the IP of the machine(s) that will be using their service - that would be the IP of your mailserver. You need to create an account with them, but it's free. HTML_MESSAGE: 0.001,T_REMOTE_IMAGE: 0.01,TOTAL_SCORE: 4.180,autolearn=noĪnother I added recently is. X-Spam-Status: Yes, hits=4.1 required=3.0 X-Spam-Status: Yes, hits=5.0 required=3.0 You'll see the results in the X-Spam-Status header: Of course you could increase it even more for super-conservative lists like GBUdb, but intelligent use of blacklists can really help block spam. So if you increased the spam score by just one point for a match from any of them, you hit four instantly for the spammer who has attracted everyone's attention. Two starts to get suspicious, but four is almost certain. One blackist might be a "false positive". If you found an IP address on four different blacklists, the chances of that NOT being a spammer are very, very low. Some are free, some are paid, some are good and some are sloppy, but consider this: There are many available blacklisting services. There's another advantage to adding spam score rather than blocking. You can override Spam score in "Custom Rules", but if you block at the black lists, it will never get that far. Whitelisting can be done by IP in the "Custom whitelist of IP addresses" section, but that only affects the Internet blacklists. If you block, you cannot whitelist with "Custom Rules". To set, but you do have to think about your legitimate needs for larger messages.īe sure to set blacklists to "Add Spam Score", not block. It might check for ability to do encrypted The most likely source of failed commands is someone exploring your server for weaknesses - an ordinary SMTP conversation shouldn't have Maximum number of failed commands in SMTPīy default, this is checked and set to three.To the number of users in your mail domain. If that's not an issue, leave it checked and set the limit Lists that (stupidly) list all recipients in the "To:" line. This can be an effective block against spam,īut it can also be a problem if you belong to mailing Maximum number of recipients in a message.Then you'd be smarter to put them in DNS and block anyone Would be if you had other mailservers within your network, but even Someone without a DNS name? The only possible justification Block if sender's mail domain was not found in DNS.See Limits tuning for Kerio Connect Mail server for more on this and other limits. Too low if, for example, your users have a lot of correspondence Make multiple connections for efficiency. Spam, but keep in mind that legitimate email can and will Maximum number of concurrent SMTP connections from.A legitimate server will try again later a spammer This is not going to prevent legitimate email it just temporarilyĭelays it. Quite quickly and could easily exceed 60 messages per hour. Issue or any other complex subject might bounce back and forth While this certainly can cut down on spam,īe careful here. Maximum number of messages per hour from one IP address.Under the Security Options tab for the SMTP server are See the bottom of this page for links to information about that and their current recommendation for blacklists etc. Important update : Kerio Connect now has a new (optional) anti-spam filtering service. Investigate and set all appropriate items. Kerio Mail Server has several configuration options to protectĪgainst spam email. |